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We will be using De-reverb on this audio. We can clearly hear the reverb in this sample. Now lets change the sample audio and take a look at the unique De-reverb.Īs the name implies, this helps remove reverb and room reflections in a recording.įirst lets hear the sample for this example. We can set this higher if dealing with clipping noise, but for small detailed crackling noises such as this, it is best to set this parameter on the lower side.įor noise that couldn’t be completely removed, we can try using Spectral De-noise which we took a look at in our previous article.Īs you can hear, we have been able to clean up the audio. Turning it to the right focuses on the louder areas, while turning it to the left will do the opposite. Amplitude skew:Allows you to determine the amount of noise editing by the volume of the input signal.Use “Output crackle only” to hear just the crackle sounds and find the right setting. Strength:Determines the strength of the effect, and a higher setting will get rid of more noise but can negatively effect the vocal sounds.Medium may yield better results than High depending on the situation, so its best to listen and compare this settings.
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When None is selected the link is removed, allowing you to control the Gain of individual harmonics. The Slope slider will help lower the reduction effect on higher frequencies. If we want to make more detailed edits on the harmonics we can choose a different Linking Type.įor the default ALL setting, moving the slider here will have a slope effect on all frequencies.īy selecting Odd/even you can control the odd and even harmonics separately. Though you most likely won’t be using the Low-pass-filter, it may be necessary depending on the type of noise present. We will turn the High-Pass Filter on and cut under 100Hz.
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You can make changes from the screen, but the frequency points can get shifted in free mode so we’ll enter numerical changes below.įind a point where the noise isn’t noticeable yet the vocal remains clean.įor the low end, you can cut up until the point where it starts effecting the vocal. We can do this from the Number of harmonics fader. The hum noise can been reduced greatly but if the voice has been negatively effected as well, we can lower the number of harmonics down right on the brink of effecting the main sound. This will analyse the sample and Free mode will allow it to set a more accurate frequency. We could select 50 or 60Hz from Base Frequency, but if you want AI to make the choice for you, click the Suggest button at the top. Hum noise is usually based around low frequencies in the 50-60Hz range, and is a noise that contains a number of harmonics. We will be using De-hum to remove the hum noise. We can hear a low humming noise as well as a constant crackling sound as well.